"Thanks a mil again 👏 👏 👏 You really nailed it and added so much to the piece with your work!"

"We worked with David in 2015, on the first sound identity of The New Yorker. In 2019 we updated the animation, and he refreshed the sound design. David brings sophistication and a strong attention to detail to everything he touches. Working with him was very rewarding."

"In animated films, the key task of sound design is to bring abstract images to life and to find convincing soundscapes for the frequently fantastic worlds, even and especially if they have no connection to everyday reality. David Kamp manages this in an impressive manner. His soundscapes open up the cinematic space beyond the framework of the screen, entirely in the spirit of Béla Balázs, who noted: The possibility afforded by sound films to hear the space without having to see it, the ability to regard the most intimate close-up and simultaneously hear the entire breadth of the huge space, offers contrapuntal potential which has seldom been exploited in cinema and hardly ever to full effect."