The Studio

Studiokamp works remotely with international collaborators and clients since 2007. The current physical studio is a calibrated Dolby Atmos sound studio in Berlin, owned and run by David Kamp. It was designed by Kost architects with acoustic planning by Karlheinz Steigmeier and consulting by Dolby and Genelec. The mix room features a Genelec 7.1.4 Atmos loudspeaker setup for stereo, 5.1, 7.1, and Dolby Atmos/Ambisonics 3D-Audio mixing. For music and foley recording a collection of Neumann, Sennheiser, and Schoeps microphones are used, with Grace Preamps and high-end RME AD/DA conversion.


From the outset, the studio has been powered exclusively by renewable energy to reduce our carbon footprint, while minimizing work-related air travel wherever possible.


Sound for Animation

Inventing and creating a unique and stylistically fitting sound aesthetic for each animation project, from narrative to abstract.

Foley & Sound Editing

Recording and editing sound in sync to picture. Studiokamp’s proprietary sound effect library has been built over the past 10 years and keeps growing

Mix & Post Production

Mixing and mastering for TV (EBU-R 128), Internet/mobile, theatrical release 5.1 or Atmos at calibrated Dolby™ mixing stage.

Sound Design

Synthesizing and sculpting sounds with Studiokamp’s modular synthesizer, custom audio software and modern and vintage hardware.

Field Recording

Using the best recording equipment available I regularly undertake sound recording trips. This ensures that I always have unique sounds for my projects.

Sound Installations

Concept and content for immersive multichannel sound installations for physical spaces, including art galleries, museums and temporary locations.

Generative & Realtime

Design and implementation of real-time audio for installations, VR/AR, games, apps and other non-linear applications.

Consulting & Strategy

Developing the audio identity of companies, products and spaces by refining their sonic character and use of sound.

Original Music

Music composition/production and film scoring in many different styles – from string quartet to happy hardcore.

david kamp studiokamp sound animation short berlin foley mix score

Boys & Girls

"We've had the pleasure of working with David on three full campaigns over the past 15 months. His attention to detail and commitment to his craft are astounding."

Derek Doyle / Executive Production Director / Boys & Girls

The Public House

"Thank you again for everything on the project and both ourselves in The Public House and client are delighted with the music and sound design."

Steve Battle / Producer / The Public House

The New Yorker

"We worked with David in 2015, on the first sound identity of The New Yorker. In 2019 we updated the animation, and he refreshed the sound design. David brings sophistication and a strong attention to detail to everything he touches. Working with him was very rewarding."

Nicholas Blechman / Creative Director / The New Yorker


“David Kamp created sound designs for multiple projects for us here at Google, each time we were very impressed with the unique results and smooth collaboration process.”

Xavier Barrade / Creative Lead / Google

Rex Crowle

"It's great to work with someone who is so creative in their work, and also so professional and personable to deal with.”

Rex Crowle / Lead Creator / Media Molecule


"Excellent partnership, a perfect combination of creative flexibility and professional service."

Vera-Maria Glahn / Founder & Director / Field

The New York Times

“I worked with David Kamp on an Exhibition for the Smithsonian Museum. Working with him was a delightful, elevated, collaborative experience.”

Kelly Doe / Design Director / The New York Times

Studio AKA

“Studio AKA first worked with David in 2011. We’ve since been able to secure his collaboration on two more projects. He has an amazing mastery of his craft and is able to realize his works with a fluidity and expressiveness that feels highly intuitive."

Philip Hunt / Co-Owner & Director / Studio AKA

MIT Technology Review

"Working with David Kamp was such a pleasure. His attention to sound detail is really remarkable, I'd love the chance to work with him again."

Lynne Carty / Senior Designer / MIT Technology Review