Studiokamp works remotely with international collaborators and clients since 2007. The current physical studio is a calibrated Dolby Atmos sound studio in Berlin, owned and run by David Kamp. It was designed by Kost architects with acoustic planning by Karlheinz Steigmeier and consulting by Dolby and Genelec. The mix room features a Genelec 7.1.4 Atmos loudspeaker setup for stereo, 5.1, 7.1, and Dolby Atmos/Ambisonics 3D-Audio mixing. For music and foley recording a collection of Neumann, Sennheiser, and Schoeps microphones are used, with Grace Preamps and high-end RME AD/DA conversion.
From the outset, the studio has been powered exclusively by renewable energy to reduce our carbon footprint, while minimizing work-related air travel wherever possible.
Sound for Animation
Inventing and creating a unique and stylistically fitting sound aesthetic for each animation project, from narrative to abstract.
Foley & Sound Editing
Recording and editing sound in sync to picture. Studiokamp’s proprietary sound effect library has been built over the past 10 years and keeps growing
Mix & Post Production
Mixing and mastering for TV (EBU-R 128), Internet/mobile, theatrical release 5.1 or Atmos at calibrated Dolby™ mixing stage.
Synthesizing and sculpting sounds with Studiokamp’s modular synthesizer, custom audio software and modern and vintage hardware.
Using the best recording equipment available I regularly undertake sound recording trips. This ensures that I always have unique sounds for my projects.
Concept and content for immersive multichannel sound installations for physical spaces, including art galleries, museums and temporary locations.
Generative & Realtime
Design and implementation of real-time audio for installations, VR/AR, games, apps and other non-linear applications.
Consulting & Strategy
Developing the audio identity of companies, products and spaces by refining their sonic character and use of sound.
Music composition/production and film scoring in many different styles – from string quartet to happy hardcore.
Boys & Girls
"We've had the pleasure of working with David on three full campaigns over the past 15 months. His attention to detail and commitment to his craft are astounding."
The Public House
"Thank you again for everything on the project and both ourselves in The Public House and client are delighted with the music and sound design."
The New Yorker
"We worked with David in 2015, on the first sound identity of The New Yorker. In 2019 we updated the animation, and he refreshed the sound design. David brings sophistication and a strong attention to detail to everything he touches. Working with him was very rewarding."
“David Kamp created sound designs for multiple projects for us here at Google, each time we were very impressed with the unique results and smooth collaboration process.”
"It's great to work with someone who is so creative in their work, and also so professional and personable to deal with.”
"Excellent partnership, a perfect combination of creative flexibility and professional service."
The New York Times
“I worked with David Kamp on an Exhibition for the Smithsonian Museum. Working with him was a delightful, elevated, collaborative experience.”
“Studio AKA first worked with David in 2011. We’ve since been able to secure his collaboration on two more projects. He has an amazing mastery of his craft and is able to realize his works with a fluidity and expressiveness that feels highly intuitive."
MIT Technology Review
"Working with David Kamp was such a pleasure. His attention to sound detail is really remarkable, I'd love the chance to work with him again."